Theft Vs. Piracy: It’s All About Context

Full disclosure: I am NOT advocating theft or piracy, only contrasting the difference and what it really means to the content creators. There! Now I have a clear conscious. Okay, fine, maybe I am advocating, but only a little.

Ahem. Piracy is NOT theft.

There’s a difference. If someone steals you car, it’s gone. If someone steals a copy of your work, you still have your work, right? It’s a copy, and that copy can actually be a benefit (Wait… what?! But the government said…)

Locks keep honest people honest. If you drive past a couch on the street sitting next to some trash cans, it’s fair game. What if it was a car parked there instead of a couch? It’s all about context. A locked sliding glass door isn’t much of a real deterrent (seeing how you can get through it with a rock), but it does communicate a simple social truth: “This person isn’t sharing; it belongs to them.” Will that stop a real thief? Of course not, but it discourages the honest from considering theft.

“But I lost a sale?” Did you, now? What you should have said is “you lost a potential sale,” because that’s all it was. This is the reason marketing and advertising exists: to convince others that something you’re selling is worth buying. If someone steals something (reminder: that you didn’t lose) that they wouldn’t have bought to begin with, what did you actually lose? Nothing. What did you potentially gain? The possibility that, in the future, they may buy you stuff.

Neil Gaiman says, “You can’t look at (piracy) as a lost sale.” Artists are starting to get it (and no longer need to be content with starving); the potential benefits outweigh the negatives. In a video interview, Mr. Gaiman expressed these very notions, a reversal of his previous stance. “It’s people lending books. You can’t look at that as a lost sale. No one that wouldn’t have bought your book is not buying it… what you are doing is advertising.”

Storming the Gatekeepers. Here we come to the real issue: the gatekeepers. For decades, publishing houses and movie studios have had a lock on content creation AND distribution. If it’s helping Independent film makers and authors gain audiences and spur sales, what’s the problem? The loss of both control and exclusivity. These are huge businesses that are going under because they no longer have exclusive access to creation tools and distribution channels (or to push crap on you that you wouldn’t want to see or hear to begin with, but I digress). Computers and the Internet have changed everything, and now they have to compete with cat videos and digital books for eyeballs (and dollars). Some are changing with the times, but some are stubbornly holding out for a legislative miracle, and American consumers are getting wise to it (SOPA and PIPA, anyone?)

If it’s easy to own, it’s easier to buy. The music industry is supposed to be in shambles, but iTunes is making a fortune. When the last time you bought music at a store? How about a whole album? Major book stores are now going out of business (while small book sellers are making a comeback). The last bastion of big media, the film and television industry, sees the writing on the wall. What’s more is that they’ve done a far better job than music and literature at giving consumers what they want. Miss a movie at the theater? No problem. Buy the disc, download on demand, rent a pay-per-view, subscribe to a premium movie channel, or watch it with commercials on broadcast television. Isn’t that enough?

Prosecuting people who download free songs is like putting drug addicts in jail. This doesn’t make sense, folks. It feels like what it is, consumer bullying. Suing someone for millions of dollars for downloading 24 songs would be hilarious if it wasn’t happening (what? Do they need the money?) It’s all about context. People sharing isn’t piracy or theft; it’s advertising, free marketing from your established fans to new ones and potential sales. Even giving digital content away for a limited time can accomplish this, because everyone knows what “for a limited time only” means.

The only ones profiting from piracy prosecution are lawyers, the larval stage of politicians. Need I say more?

Don’t steal. Share. It’s all about context.

Author Interview Up Rai29 Book Read N Review

If you’re into books, spend time online, and are not familiar with Goodreads.com, I suggest checking it out (my author profile is here).
One of the people I’ve met on the site is Rachel, a young adult who is not only ravenous for reading but also reviews young adult (YA) books and interviews YA authors. Check out my interview on her site at Rai29 Book Read N Review.
Here’s a few of the questions:

3. What is the name of your most recent book and if you had to sum it up in 20 or less words, what would you say?
It’s called The Spooky Chronicles: The Terminal People, about a dead boy dealing with still growing up.
4. Do you have plans for a new book? Is this book part of a series?
This is the second book in The Spooky Chronicles series. The first arc is planned for six books, although I’m doing a one-shot crossover story between the first couple books for a charity anthology. I’m currently working on the third book in the series, Schoolhouse Number Five.
5. What or who inspired you to start writing? And how long have you been writing?
I’ve been writing film reviews for almost fifteen years (honing my written “voice”), plus my girlfriend got into self-publishing herself and encouraged me to do it. I’ve seen a lot of scary movies, and the ones featuring young adults rarely seem to show much of the their point of view. One exception is Harry Potter, which I’ve always felt is a lot more YA horror than people want to admit.
7. How did you come up with the cover? Who designed the cover of your book?
I’m pretty handy with the graphic arts and am self-taught, so I created it myself based on a key location in the story from photographs I’ve taken. Most of the current cover was from a picture taken in Savannah, Georgia’s Bonaventure Cemetery. Beautiful statuary there.
10. Do you have a book trailer? And what are your thoughts on book trailers?
The series trailer is here: http://www.youtube.com/watch?v=PjXRVIHdR… I love book trailers, but I think many are too much like movie trailers. In a movie trailer, you expect to see scenes in the movie exactly as they appear in the trailer (and are disappointed when they aren’t). So much of what happens in a book is in the imagination, so the less you show, the better. A book trailer, like a book cover, should *feel* like what the book is about, more like those teaser movie trailers that appear before any footage is actually shot.
11. Do you prefer e-books, paperbacks, hardcovers or audiobooks?
I like them all. I intend to translate each of my stories into all of these mediums as I am able to. If you don’t give consumers what they want in the form they want it, someone else will.

Create Awesome Online Content for Fun and.. Wait, What?

It’s come to my attention that many online outlets are feeling their share (and maybe more) of the financial crisis. Before getting into all of that, let’s take an unscientific yet completely random poll: how many people out there enjoy web content for free? Music, videos, ebooks, reviews, articles, news, how-to blogs, and whatever else? The follow-up question is, would you watch or participate if you could only do so by paying to get it?

With the exception of The Guild, Ask a Ninja, or perhaps videos made by Key of Awesome, how many of you think the makers of that content make money? Enough to live on? If you go to a night club to see a local band, a cover charge is expected, or at least a two-drink minimum. Web content, however, is so plentiful that people expect it to be free; if they have to pay, they can always go someplace else. The counterpoint to this, however, is “What is being sold?” If the content is being created to gain eyeballs, how does that translate in making money for time spent and the creativity that went into it? We’re not even talking about the material costs of props, photography or video equipment, or travel expense; the people who create these things have experience and give their time, so shouldn’t that be worth something?

Continue reading “Create Awesome Online Content for Fun and.. Wait, What?”

Everyone Should (Pay to) Have a Friend Like Me

I talked to a person today who asked me how they could charge to add friends or fans to their Facebook page. This would be a recurring monthly fee, also, so failure to pay means being unfriended. As this person claimed to be a health and beauty expert, anything they discussed on their page was obviously valuable and anyone who wanted in on the conversation and information would have to pay for it.

I needed a good laugh today and wish them much luck that the money will start rolling in. Yeah… any minute now.

Filtering Copyrighted Material Requires Infringement?

According to an article on Wired.com, collecting the information that allows a filter to compare an image, a book, a song, or a video to existing material is itself an uncompensated use of the material it is meant to single out for violation. In other words, even “fair use” isn’t enough of a reason for website to police themselves prior to actual notification by a copyright holder since the website would have to have legal copies (aka paid for) of everything being filter to compare it to.

If this holds up, no website can currently be held responsible to filter its own bandwidth for violations because they would have to purchase and own a copy of whatever is being searched for (read: everything and anything) to check and see if it’s real. Ha!

New Theme!

One of the reasons I moved my personal blog to WordPress.com is because, when I want to post something, I don’t want to have to program anything. “Set it and forget it” themes are nice when you can find them, and limited access on WordPress.com discourages me from tinkering too much once I have a theme configured (because once I get sucked into a tweaking session, time becomes a blur until I’m hungry and it’s dark outside).

On occasion, new stuff is always fun to add in, and after a new upgrade in the WordPress software, a new theme appeared, iNove. It looked clean, bold, and organized better like an OCD’s kitchen junk drawer. After over two years, I decided to retire the cemetery banner as a design element and opted instead for a digitally-enhanced image of my favorite accessory, my Alchemy Gothic “Death Ankh” (on the right). It hints at my interests and has started quite a few conversations. Enjoy!

Server Issues (That You Couldn’t Care Less About)

It’s one thing to sign up for someone else’s web space and keep a blog, but an entirely different beast if you want to keep full control for yourself. Want your own template? You own designs? Your own features? Either pay up or do it yourself.

But every once in a while, even when you’ve been doing everything just the way you were told, something happens to let you know that you still don’t know everything. I have no idea what caused the minor database corruption that dropped many of my oldest posts, but fixing it taught me a lot I didn’t know, specifically that the way I was backing up things was essentially useless.

For those of you used to seeing certain features or things around here, you may find a few missing. I’m working on that, but with another convention coming up and promises yet to fulfill, fixes here will be slow or have to wait.