Less Is More: Creating a Vampire World

I just wrote a piece over on Vamped.org about my take on vampires. Here’s a bit:

One issue I’ve noticed in a lot of paranormal fiction is scale: getting too big too fast.

All the vampires have a werewolf bodyguard, legions of angels are waiting behind every storm cloud, and the sewers are bursting with more vampires than rats.

In these kinds of stories, it’s almost a given that the protagonist will catch the eye of someone too big for them to handle, setting up a final confrontation with world-changing ramifications. To quote Riley from Buffy the Vampire Slayer, “I suddenly find myself needing to know the plural of apocalypse.”

I offer a different viewpoint: less is more.

Read the rest over at Vamped.org!

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Must the Male Vampire Always Be On Top in Paranormal Romance?

FangsAlotI’m not saying this is bad – I’m just asking if this is how it has to be.

I am a male writer who tends to write strong female characters in paranormal horror. This isn’t just my opinion (although it is my intent), but I am told by readers that I do. If a heroine is going to step up, I feel they should hold their own; they make the decisions and accept the consequences for their actions. Blechdel Test be damned, females do talk about males, and often there is romantic inclination or outright sex with a male character; hey, it happens.

I enjoy the inherit vampire and horror elements in these stories, but I am noticing a trend in several of these stories, particularly the one billed as “paranormal romance.” The female character – whether merely human or already vampire – appears to be smitten with or otherwise bonded to a superior male specimen. These dude-bros have names like Caleb, Stefano, Morbius, Vlad or something else overly masculine. Head-over-heels attracted to them, the heroine obeys – or is given no choice but to obey – this dominant character in all things despite yearning to be an equal in their eyes. Time doesn’t seem to be a factor; these women often have been kept under thumb or under house arrest for centuries. The smitten female underling, of course, is the main character, and they aren’t only being mentally subjugated but often physically – but no permanent harm done since they’re a vampire, right?

To contrast this, what I am not reading about is an intelligent, handsome young man being kept under the thumb of an ancient vampiress who has strong feelings for the lad but believes him incapable of surviving on his own. In spite of proving himself up to the task or otherwise demonstrating the potential for an equality to their sire/object of infatuation, each scene of the story is a compact lesson in why the dominant female is the alpha, subjugating the omega male to repeated but doomed attempts to measure up time and time again. With no regard to the male character’s secret paranormal lineage, forbidden knowledge of ancient magics, or in any way possessing skills and ability superior to the dominate female vamp, he always crawls on his belly back to the feet of the creature he can’t wait to be dominated by. Oh, and the main character must be HIM, not the alpha vampire mistress.

Does this exist, is this an impossibility or do I need to write this and see just how twisted I can make it?

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Praise for “Tendrils Never Lie” – Thank You!

I like “Tendrils Never Lie” by Kevin A Ranson. It successfully incorporates some classical horror concepts into a very well observed and executed modern setting.

BestOfTheHorrorSociety2013That blurb is one tiny part of a full anthology review of The Best of The Horror Society 2013 available on Amazon. Someone not only reviewed the book but talked up each story inside; you don’t see that kind of thing very often, so I had to share! Here’s more:

There are some very good writers here. Along with the legenary William F. Nolan, the only living writer I know of who can be included along with the likes of Robert Bloch, Richard Matheson and Ray Bradbury. Included too are rising stars Richard Thomas, Weldon Burge, Joe McKInney, Aaron Warwick Dries, Robert S. Wilson, Scott Gorsiak (grin) and editor Carson Buckingham. Twenty-Five Tales of short and not-so-short, high quality and mostly unfamiliar shivers. Authors are included I’ve never heard of, but I chalk that up to personal ignorance on my part. One Hell of a lot of good horror writers have shambled their way into print and eprint over the last few years. It’s enough to make you throw your typewriter against the wall and try writing Harlequin Romances.

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Reader Review of The Matriarch – “A Highly Original, Enticing Read!”

5.0 out of 5 stars: A Highly Original, Enticing Read!
November 9, 2013 By CLynn
This review is from: The Matriarch (Kindle Edition) verified purchase, Amazon UK

Matriarch3DBoxCover2013OctAn unsolved murder…and a surprising revelation that solves the mystery, I liked that.

The heroine was strong, I cared about her. That is so important in a novel. I particularly cared as I witnessed her adjusting to her new existence. The villain was very well done, without being overdone. I found him deliciously savage! And I liked, too that everything was wrapped up nicely with no loose ends.

I really enjoyed the author’s take on vampires. He’s given them very interesting characteristics. The heroine for instance discovers that she will never dream again and I found this very poignant.

I like vampire fiction that depicts vampires as complex characters–where their living lives and their undead existence is developed nicely. It makes for an interesting story.

There are also ghosts and hauntings and surprises too. What more could you ask for?

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“The Lucky Five”

A Matriarch short story by Kevin A. Ranson

TlalocIconBetween the passengers and their equipment, six people occupied the space of twelve, almost the capacity of the elevator.

Five of the riders wore blue gloves and knee-length white coats over scrubs; the sixth wore a dark suit and a wireless earpiece. A lab cart had been assigned to each of the technicians while the man in the suit carried a computer tablet. Everyone looked straight ahead in silence, focused on the task at hand.

The doors opened; the stop switch was pulled. The suited man started a timer on his tablet as the five techs pushed their carts out of the elevator. Of the twenty doors in the long hallway, five had been pre-selected; in concert, the techs knocked and waited while the suited man watched.

One by one, the techs disappeared into the rooms as each door opened. The suited man quietly observed from the hallway so as not to interrupt the collection; time was of the essence.

In the first room, the elderly resident had been watching a movie before pausing it. He surrendered his right arm as the tech prepped his skin and expertly inserted a needle attached to a cup. The resident winced for a moment and relaxed.

Collection was already proceeding in another room. The tech quickly inserted a red-capped glass vial into the needled cup and twisted it to begin the flow of blood. When it was filled, she twisted it out again and replaced it with another. The move was practiced and smooth; the donor smiled at the absence of any discomfort. Once the needle was removed, a sterile gauze pad was taped over the skin as familiar instructions were hastily issued to the donor.

The suited man checked the time as the technicians emerged from their assigned rooms. On each of their carts were ten red-capped glass vials filled with blood, fifty in all. Noting the collection on his tablet, the group headed back to the elevator. Once everyone was inside, the stop switch was depressed to release the elevator; the doors closed.

On the ground floor, the collection carts were pushed into the secured blood lab while the suited man followed. Each of the procured vials were quickly but carefully inserted into a circular tray that held the exact number of samples collected. The tray was pushed beneath a stainless steel apparatus that aligned with each vial simultaneously; a lever raised the tray into the metallic device and locked it into position. Levers on two support arms elevating the apparatus over the table were disengaged, allowing the entire device to be inverted.

Alerted by the beeping from a standard microwave oven, a warmed ceramic cup was withdrawn, black on the outside and white on the interior, the tall kind used in trendy coffee houses. After securing the cup beneath a nozzle, a button was pressed that drained the vials into the waiting cup below, filling it to within half an inch of the top – a perfect pint.

The suited man noted the time on his tablet, nodded in approval to everyone in the lab, and took the cup away with him. In the office he worked out of, he set the cup down on the far edge of his desk and checked to ensure there was no spillage. Satisfied, he sat down and resumed his work, waiting.

Within a few minutes, the executive administrator entered the office. Going right to the cup, she smiled at its warmth as she picked it up.

“It never ceases to amaze me that you have this waiting every time I come in,” she said. “Who are today’s lucky five?”

The suited man looked away from his laptop. “You tell me.”

After flashing him a knowing smile, the administrator lifted the cup to her lips and drank deeply.

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What is the Secret of Cedarcrest Sanctum?

TlalocIconThings that go on like this shouldn’t be ignored.

Cedarcrest Sanctum bills itself as “a modern rest home nestled in the mountains of central West Virginia.”

The residents who are accepted have no family, no money, and nowhere else to go. In spite of these facts, the administrator of the facility still takes them in. If accepted into “the program,” they are removed from the public eye and are no longer permitted outside visitors.

To date, no one in “the program” has ever left Cedarcrest Sanctum and no deaths have been reported – not a single one in over ten years. No one seems to know what happens to the elderly who reside there and no one seems to care.

My attempts to contact anyone on the inside of their gated, secure facility have all failed. Their website, CedarcrestSanctum.com, claims that the phones are unlisted (for privacy reasons) and that emails go unanswered because they “cannot reply to every correspondent.”

There was a recent story concerning a college student named Janiss Connelly who used to volunteer there before “suddenly” being offered a job. Immediately thereafter, she withdrew from college only a semester before her graduation and became unreachable by phone or email. Like the residents, no one has reported seeing or talking to her since.

If you know anything about what is going on at this facility, DO NOT keep it to yourself.

Someone has to stop this.

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Eternal Nightmare of the Scruffy Mind: Organizing a Brainstorm

Brainstorm Christopher WalkenI have ideas – too many, perhaps. Sometimes these ideas are specific and enhance existing work, while other times they are flights of fancy limited to a word, a scene, or even a line of dialogue for an unwritten work.

In my Navy days, PDAs were cost-prohibitive and smartphones didn’t exist, but my trusty green notebook was always at the ready. If I was near one of my full-size college notebooks, I would take the time to elaborate on these ideas and go so far as to sketch out relevant objects, locations, or symbols. A lot of the time spent was for roleplaying games, but it helped me learn to organize and develop ideas from conception to creation.

Nowadays, everything I do is digital, which also helps to pre-organize my scruffy thoughts; only in the rarest cases do I break out the old notebook method. Such a task requires the requisite window shopping and purchase of said notebook to empower the pages for their sacred purpose: to be the vessel through which creation will take place until it is fully formed – well, at least until the editing phase.

For the writers and creators out there: what habits have you developed or rituals do you follow to get the ideas flowing, organized and prepared for their day in the starlight?

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“Tendrils Never Lie” to Appear in The Best of the Horror Society 2013 Anthology!

BestOfTheHorrorSociety2013My short story “Tendrils Never Lie” is slated appear in The Best of the Horror Society 2013 anthology for a mid-October release. This book is chock-full of horrific goodness; check out the Table of Contents!

FOREWORD – Scott M. Goriscak
INTRODUCTION – Carson Buckingham
CEREMONY – William F. Nolan
TENDRILS NEVER LIE – Kevin A. Ranson
THE MASK – Lisamarie Lamb
LEMMINAID – Carson Buckingham
THE CENTRAL COAST – Jason V. Brock
WHITE HELL, WISCONSIN – Weldon Burge
VICTIMIZED – Richard Thomas
NORMAL IS RELATIVE – Dan Dillard
THE PROCEDURE – Doug Lamoreux
THE LITTLE CHURCH OF SAFE CROSSING – Joe McKinney
MADELEINE – Julianne Snow
IT HAS TEETH – Christian A. Larsen
MASQUERADE – Dave Jeffery
BLACK BIRD – Rose Blackthorn
ADJOINING ROOMS – Scott M. Goriscak
THE INSPIRATION & HORROR OF GEORGE & HUGH – Nicholas Grabowsky
THE CLOWN – Henry Snider
MOVING DAY – Mark Onspaugh
ELLEN – Lee Pletzers
DADDY – Aaron Warwick Dries
SOFT LIKE HER – Charles Colyott
VENUS – L.L. Soares
THE LUMINOUS VEIL – Ian Rogers
BEER AND WORMS – T.E. Grau
BLACK MARY – Mercedes M. Yardley
THE BOY IN THE ELEVATOR – Robert S. Wilson
WEIRD – Dean M. Drinkel
HOTTIES – Mort Castle

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My Gateway Inspiration: Mother Ghost Nursery Rhymes

You hear it all the time in interviews; “What inspired you to become a writer?”

For most horror writers and those telling tales of terror, you’ll hear Stephen King or Edgar Allan Poe, perhaps “The Twilight Zone” or “The Outer Limits,” or maybe even classic films like Hammer horror or The Evil Dead.

MotherGhostNurseryRhymesWell, for me it was in kindergarten. Each student was allowed fifteen minutes a day or so to listen to whatever they chose on the record player, and I always knew what I wanted to hear from the first time it was played for me: “Mother Ghost Nursery Rhymes (and other tricks and treats).” This was a Scholastic collection of 33 1/2 RPM records each with a story or song or whatever, each stranger than the next. “Rock-a-bye Monster” and “Georgie (the Ghost)” were two of my favorites.

These days with all of the insulation and over-protecting of kids, I don’t know that I would have had the same access to such things as I did in 1972, but I was also reading my mom’s Stephen King books at the age of ten, so there you go.

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